Sound boards & Bracing

Tone-wood and the Soundboard.
I always look for certain qualities such as the efficiency and brightness of timber. Regarding a solid body instrument like a bass or an electric guitar, to a certain degree the choice of timber/ tone wood not only effects the instruments tone but what you might call : the attack, sustain and decay. Each aspect of an instrument has a regime of dynamics that responds to other corresponding parts and their dynamics.

Acoustic instruments.
To get the top end and good extension, how the instrument handles notes across the octaves, so they are even and true is much more difficult to obtain than a large bass sound. With an acoustic instrument the bass end is achieved by compliance, the bracing and air cushion coupling together ... if your interested click on the two video's to learn more.



Luthier Peter Stephen glueing the bracings to a soundboard
Luthier Peter Stephen's series Stephen Sticks
Luthier Peter Stephen shapes the bracing for the sounboard on an acoustic guitar
Luthier Peter Stephen, cross bracing for a cutaway acoustic guitar
Flat top Guitar : X bracing, with single brace in the upper bout.

Luthier Peter Stephen, double bracing for a Spanish Classical guitar
Spanish/ Classical : Upper bout double brace, lower bout fan bracing.

Luthier Peter Stephen, shaping the archtop soundboard for a semi acoustic guitar
Luthier Peter Stephen assembles the back, sides and soundboard of a semiacoustic electric guitar
I shape the back and front before I work on the cutaway.

Luthier Peter Stephen, working on the soundboard of an electric solid body guitar
Return to the top of the page